I Am What I Am

Middlesex by Jeffrey Eugenides
My rating: 4 of 5 stars

I like the story very much because it is somekind of personal but I'm not a hermaphrodite. This is due perhaps to Chazz Bono in Dancing with the Stars, which I love watching in cable TV, and the enfamous breakdown of Rustom Padilla aka Bebe Gandanghari of the Pinoy Big Brother sometime ago.

Middlesex is a story about what it means to occupy the complex and unnamed middle ground between male and female, Greek and American, past and present. For Cal, caught between these identities, the journey to adulthood is particularly fraught. Jeffrey Eugenides' epic portrayal of Cal's struggle is classical in its structure and scope and contemporary in its content; a tender and honest examination of a battle that is increasingly relevant to us all.



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"I hope for nothing. I fear nothing. I am free."

From Wikipedia, the free encyclopedia.

The Last Temptation of Christ is a novel written by Nikos Kazantzakis, first published in 1953. It was first published in English in 1960. It follows the life of Jesus Christ from his perspective. The novel has been the subject of a great deal of controversy due to its subject matter, and appears regularly on lists of banned books.

The central thesis of the book is that Jesus, while free from sin, was still subject to every form of temptation that humans face, including fear, doubt, depression, reluctance, and lust. Kazantzakis argues in the novel's preface that by facing and conquering all of man's weaknesses, Jesus struggled to do God's will, without ever giving in to the temptations of the flesh. The novel thus powerfully advances the argument that, had Jesus succumbed to any such temptation, especially the opportunity to save himself from the cross, his life would have held no more significance than that of any benign philosopher. In this sense, the novel can be viewed as thoroughly orthodox and traditionalist in its attitude to Jesus role as redeemer.

The Only Way Out is In

From Barnes & Noble.

Ten years after his acclaimed short story collection Drowned, Junot Diaz returns with a lollapalooza of a debut novel centered on a grotesquely overweight Dominican-American teenager named Oscar. Lonely, loveless, and living almost completely inside his own head, Oscar is a "ghetto nerd" whose multiple obsessions include comic books, fantasy fiction, and supremely unobtainable women. In a story that moves back and forth between the Dominican Republic and Paterson, New Jersey, Diaz illuminates the tragic arc of Dominican history (especially under the brutal Trujillo regime) in the lives of Oscar's sister, mother, grandmother, and aunt. Shot through with witty cultural footnotes, scabrous slang, and touches of magic realism, this heartbreaking family saga is a work of brave originality.

Time is a Goon

From Publishers Weekly.

Readers will be pleased to discover that the star-crossed marriage of lucid prose and expertly deployed postmodern switcheroos that helped shoot Egan to the top of the genre-bending new school is alive in well in this graceful yet wild novel. We begin in contemporaryish New York with kleptomaniac Sasha and her boss, rising music producer Bennie Salazar, before flashing back, with Bennie, to the glory days of Bay Area punk rock, and eventually forward, with Sasha, to a settled life. By then, Egan has accrued tertiary characters, like Scotty Hausmann, Bennie's one-time bandmate who all but dropped out of society, and Alex, who goes on a date with Sasha and later witnesses the future of the music industry. Egan's overarching concerns are about how rebellion ages, influence corrupts, habits turn to addictions, and lifelong friendships fluctuate and turn. Or as one character asks, How did I go from being a rock star to being a fat fuck no one cares about? Egan answers the question elegantly, though not straight on, as this powerful novel chronicles how and why we change, even as the song stays the same.